Australia, from one twenty above.

Browse the Collection

Contemporary aerial and landscape photography by James Doherty. Printed on archival fine art paper, framed in Victorian ash, and delivered ready to hang.

Every photograph is offered in three finishes — each one chosen to suit the work, not just the wall.

  • Framed Prints

    Our modern take on the classic. Giclée prints on archival cotton rag, mounted on archival board, framed in certified Victorian ash and glazed with museum-grade acrylic. Quietly spectacular.

    Shop Framed Prints
  • Acrylic ICE Blocks

    Freestanding photographs for your desk or shelf. A metallic print face-mounted to 3cm of solid acrylic, with a depth of colour you have to see in person. The gift that gets asked about.

    Shop ICE Blocks
  • Acrylic Float Mount Prints

    Maximum impact, minimum frame. The print is face-mounted to 6mm acrylic and floats 20mm off the wall — clean edges, saturated colour, nothing between you and the image.

    Shop Acrylic Prints

On walls across Australia

  • "Exceptional print quality, looks absolutely beautiful on the wall"

    - Liverpool Clinic 117, Acrylic Print

  • "What a surprise, the colours are beautiful, framing is excellent"

    - R+P, Hill Inlet Panorama

  • "Amazing, looks really good on the wall, framing and packaging are great!"

    - MD, Framed Print

  • Panoramic Prints

    Wide-format works for the wall that needs a statement. Available framed, as acrylic float mounts, or ICE blocks.

    Shop Panoramic Prints
  • Circular Prints

    The newest addition to the range — circular works finished as acrylic float mounts or framed in Victorian ash.

    Shop Circular Prints
  • Gift Cards

    Can't choose for them? Don't. one20above gift cards never expire and can be redeemed across the full range.

    Shop Gift Cards
  • Acrylic ICE Blocks

    Desk-sized, luminous, and impossible to ignore. The reliable choice when you need a gift that lands.

    Shop ICE Blocks

About one20above

one20above is the passion project of Sydney photographer James Doherty. The name is literal: most of these photographs were made at one hundred and twenty metres above Australia’s coastlines, creeks and ranges — the altitude where familiar places become something else entirely.

What started as a way of seeing the country differently has become a celebration of it: the tidal abstracts of Roebuck Bay, the impossible whites of the Whitsundays, the winding roads and quiet forests in between. Each work is printed, framed and finished to archival standards, because photographs of places this good deserve to outlast trends.

 Hill Inlet Panorama, Framed Print

James has spent nearly two decades behind a camera — first as a wedding photographer and commercial cinematographer, now (between shifts as a surgical registrar) as a landscape photographer and unapologetic gear freak. With his collaborator, creative director and location scout Natalie, landscape photography is no longer earthbound.

James Doherty Signature